You will be able to apply your subject matter expertise and domain experience to support submarine programmes through the adequate provision of Process (and process like documentation) and the support to and undertaking of governance activities, strategies and designs. We are seeking Principal Systems Engineers with experience of Process and Governance. To facilitate the delivery, design, and concept work for a future Class of Royal Navy submarine. The design work for the next generation of Royal Navy submarines is underway following the award of two contracts to UK industry worth £85 million each. Jacobs are offering an incredible opportunity to work in a very rewarding and exciting framework. This opening can facilitate locations ideally situated in or around Bristol or Glasgow but will accept applications UK wide with a flexible hybrid working arrangement. We’re happy to discuss hybrid, part-time and flexible working hours, patterns and locations to suit you and our business. Work-life balance and flexibility is a key focus area for Jacobs. Nothing is quite how it seems.Principal Systems Engineer – Process and Governance Art as good as this helps us to see the world in a different way an I find myself looking at things afresh through Magritte's distorting prism. He speaks to us in a language we can recognise (even if we can't begin to understand) about the madness and psychological confusion of life and the individual's search for meaning within it. Magritte's influence remains potent in Western culture, advertising and all forms of absurdist visual comedy such as Monty Python's Flying Circus. We also see him in relationship to his fellow Surrealists. The show takes us on a voyage through his long career and we see how the painting begin to be formed in Magritte's use of film, photographs, notes and sketches. He depicts the fractured narrative of dreams and nightmares and retains a sense of magic and humour. He was exploring being alive in the middle of the 20th century in a Europe of dictators, terrifyingly destructive political systems and post-Freudian angst. Magritte is a story teller not, I feel, over interested in or obsessed by the formalities of drawing and painting. Perhaps artists look at the work of other artists' from a different perspective and we sometimes miss the point. ![]() It seemed like a very comprehensive overview and perfectly suited to the Tate's intimate rooms. There were many paintings and some sculpture that I hadn’t seen before, even in reproduction and those I thought I knew quite well held a strange atmospheric mystery. The beautifully hung and lit show was a revelation. ![]() However, I was wrong to dismiss the artist. So when I was asked I visited the show at the Tate Liverpool, tired after a long day and without much enthusiasm. I can see vague similarities in the way Magritte painted his rather stiff and secretive characters and I was once in a show of contemporary artists that seemed to the organisers at the Modern Art Museum in Ostend, Belgium to have an affinity with the Belgian artists but I was wary and a little bored by the assumed link. Although I found his work interesting I was never influenced by him as I was by say Edward Hopper, The American Realist painter or Balthus who depicted claustrophobic interiors charged with an uncomfortable eroticism. Over the years, my work as an artist has occasionally been compared to that of the Belgian Surrealist, René Magritte. John Kirby having a look at paintings in the Walker before visiting Tate Liverpool.
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